List of products by brand Anne Commet

Born in 1970 in France.

EDUCATION

Faculté d'Arts Plastiques, Paris I Panthéon Sorbonne, atelier Olivier Long
Etudes d'art et de peinture à Stow High (USA-OHIO)

SOLO SHOWS

2015
Centre d'art les Passerelles, Pontault Combault
Galerie Exit, Boulogne
Galerie Abstract Project, Paris

2013
Galerie Art Praye, Airs, eaux et lieux, en résonance avec la Biennale de Lyon
Galerie Olivia Ganancia, Paris

2012
Galerie du Crous de Paris, Paysages antérieurs

2011
Galerie Olivia Ganancia, Paris

GROUP SHOWS

2015
Abstract Project, Paris

2014
Galerie des Beaux Arts de Pékin (Chine)
Galerie Lionelle Courbet, Le bleu de l'été, Paris

2013
Pavillon Cvijeta Zuzoric, Belgrade (Serbie)
Affordable Art Fair, New York
Lille Art Fair

2012
Moulin de Villandry, Pont de Claix
Galerie Zamemhof, Milan (Italie)
Galerie LBL, Ile de Ré
Réalités Nouvelles, Paris
Galerie Lindengrün, Vienne (Autriche)
Salon Lyon Sud Est

2011
MACparis
Réalités Nouvelles, Paris
Affordable Art Fair, Amsterdam

2010
MAC Paris

GRANTS & AWARDS

2012
Prix Marin de la critique - Réalités Nouvelles

2010-2011
Deux fois nominée au prix AZART - MAC, Paris 

The working method is always the same: to wander through familiar places, observe them repeatedly, and commit them to memory. These fixed landscapes, transposed into portrait format, construct a cartography of intimate territories. It is also a way of telling their story: one chapter retraces that of the Reine Jeanne, a wild cove completely devastated by fire, where vegetation gradually reemerges from the ashes and charred trees. It speaks of destruction and rebirth—a poetic way of bearing witness to the state of nature and of prompting reflection on the relationship we maintain with it. This is what Wim Wenders suggests in his film Until the End of the World, when he stages an elderly Aboriginal man who sings the story of the place where he lives. The purpose of this song is to keep that piece of nature alive, and in doing so, to preserve humankind.

Renouncing figuration in favor of color is a defining element of my creative identity. Abstraction allows for a deconstruction of reality, retaining only a field of color that appeals directly to sensation. Like a retinal image, color and gesture reveal the landscape anew, reduced to its essentials. Through a ripple effect between technique, subject, and audience, an inclusive interaction is set in motion. The viewer becomes an active participant in the construction of another reality.