List of products by brand Anne Moreau
EXHIBITIONS (SELECTION) :
2024
Amélie , Maison d'art, Galerie Séguier, Paris
Galerie Mirabilia, Lagorce, Ardèche
2023
LA GALERIE, Montpellier
30th anniversary of Galerie Pome Turbil, Thonon, France
2022
Amélie Maison d'Art, Paris
2021
"À vau-l'eau", Galerie Jérôme B., Bordeaux
Forty years of LE TEMPS QU'IL FAIT Mazères, Jean-Gilles Badaire, Michel Danton, François Dilasser, Noriko Fuse, Olivier Giroud, Anne Moreau, Jean-Pierre Schneider, Monique Tello.
"En Plein ciel" Galerie Olivier Rousseau, Tours, fifty works, 15 artists
Galerie Pome Turbil, Thonon, with Jean Louis Gatineau, Alexandre Hollan, Francis Limérat, Anne Moreau, Thibaut de Reimpré, Jean Pierre Schneider, an Adja character, and a sculpture by Olivier Giroud.
2020
Large confinement "À LA TERRE
2019
Publication of "Une eau mêlée de pigments colorés" Éditions, Le temps qu'il fait (La Charente Libre, Céline Aucher/ Gazette de l'académie d'Angoumois). Book signing and exhibition, Galerie Olivier Nouvellet, Paris / café littéraire d'Aunac-sur-Charente / 10th book fair, Abbaye de Nanteuil-en-Vallée, Val de Charente.
"Bruissement de sources", Galerie Pome Turbil, Thonon
2018
"Escale", Olivier Rousseau Gallery, Tours
Gallery Olivier Rousseau, Angle-sur-Anglin
2017
"Tribute to Denise Renard and her Galerie Jacob", Galerie Olivier Nouvellet, Paris
Galerie du Château de Nieul, Charente, with Sophie Melon Sculptures ( La Charente Libre, Benjamin Aguillon / L'Avenir Confolentais / Le populaire du Centre)
Jérôme B. Gallery, Bordeaux
2016
Jérôme B. Gallery, Bordeaux
2014
Galerie Pome Turbil, Thonon
Art espace, Lyon
Mirabilia Gallery, Lagorce
2013
Royan Plastic Arts Centre
Mirabilia Gallery, Lagorce
2010
AcApA, Hotel Saint Simon and Arthotèque, Angoulême
2009
Mirabilia Gallery, Lagorce, Ardèche
2008
Sabine Puget Gallery, Fox-Amphoux (Var)
2007
Royan Plastic Arts Centre
2005
Galerie Pome Turbil / Art Espace, Thonon-les-bains
Galerie Sabine Puget, Fox-Amphoux (Var) and Art Paris
2001, 2002 and 2003
Sabine Puget Gallery, Paris
2000
Le Kraft, Reims,
Sabine Puget Gallery, Paris
1998
Hôtel Beury, Ardennes
1998 - 1980
Galerie Jacob, Paris
1997
University of Reims
1996
Hôtel Beury, Ardennes
1995
Château de Joinville, Haute-Marne
1993
Casa di Dante, Florence, Italy
National Society of Fine Arts, Lisbon
1992
AMC Gallery, Mulhouse
Théâtre du Granit, Belfort
1989
Centre for Cultural Action, Saint-Brieuc
Cultural Centre, Troyes
Rimbaud Museum, Charleville-Mézières
DOW Benélux, Holland
Espace Alliance, Lisbon
1988
Bateau peinture, ORCA Champagne-Ardennes, Marne
1987
Travis Gallery, Atlanta, United States
DOW Chemical, Holland
1985
Dieppe Castle Museum
1983
Miramar Gallery, Göteborg, Sweden
1981
Museum of Nemours, Seine et Marne
Born in Paris in 1948, Anne Moreau studied at the École Supérieure des Arts Appliqués (advertising, photography), the École Nationale Supérieure des Arts Décoratifs (mural art, painting) and the École Nationale Supérieure des Beaux-Arts de Paris (sculpture). Her work has been exhibited in France - notably in the museums of Dieppe and Nemours, and in the CACs of Saint Brieuc, Mulhouse, Troyes and Belfort - and abroad: Holland, Sweden, the United States, Italy and Portugal. Since 1980, she has exhibited regularly at Galerie Sabine Puget (formerly Galerie Jacob), Galerie Pome Turbil, Galerie Mirabilia and Chez Amélie du Chalard (Paris, New York).
She travels rivers and canals aboard Pick au vent, the barge whose hold is her painter's studio, before settling in a lock keeper's house on the Canal Latéral de la Marne. Since 1998, she has lived in the Charente region of France, where she has benefited from a grant from the Ministry of Culture DRAC Poitou-Charentes.
She experimented with fresco painting, opting for unframed linen canvas, then in 2002 for geotextile canvas, which became her preferred medium.
Through the frugality and gentleness of her canvases, ANNE MOREAU offers us the infinitely helpful present of a presence transformed into an open-air mine of sensations. Like Jean-Pierre Abraham in François Dilasser's paintings, we can camp here without feeling cold.
The colors are simple, picked with their roots: the long reach of the ancient use of ochre earth, the red of sinopia, azure blue, chalky whiteness.
The forms are those of a structure, walls or dykes, most often with openings that give way to an elemental, flooding fluidity, where limits melt away - have their foundation, disappear.
Pairs are formed that are original: life and death, stone and water, masculine and feminine - they engender a symbolism that has been present in cave art since before the dawn of history.
The writings are a step aside, an inverted anchorage (attachment?) in becoming: the line had become a letter and had split into a form and a meaning - separated, separating; it returns to its sources.
Everything cohabits. And yet, where the world is dispersed, we are no more than Little Thumb or Red Riding Hood. We must live on the waves and never have an asylum in time,” said Rilke. But here, entrusted to a bath of revival, the image blooms like a Japanese paper flower.
Exchanging their identities, responding to and spreading into each other, pictograms melt into each other: water is a sky, a labyrinth becomes a flower or a meandering brain, as well.
Text by Jean Planche for the exhibition “Demeure” Galerie Mirabilia
