List of products by brand Fabienne Jousse

Fabienne Jousse lives and works in Paris and Aix-en-Provence. 

EDUCATION

École Nationale Supérieure des Arts Décoratifs de Paris.


EXHIBITIONS

2024
Salon des Beaux-Arts, réfectoire des Cordeliers, Paris.
Jury Prize and Guest Jury Prize for the Ecritures series
2022
Drawing market. Exposition et marché dédié aux éditions d’artistes contemporains, Paris (France)
2021
Le temps est comme suspendu. Exposition collective. Curatrice Anne Sirot. Archik, Paris (France)
Estivales de Sceaux. Festival d'art contemporain du Grand Paris, Paris (France)
  
2020  
Parcours de l'art, Avignon, Paris (France)
2019  
Réalités imaginaires, Paris (France)
Lyon Art Paper, Paris (France)
Amélie maison d'art, Paris (France)
2018  
Salon Réalités Nouvelles, Paris (France)
Galerie Abstract project, Tondo tondi, Paris (France)
2017  
Galerie Première œuvre, Noir blanc, Paris (France)
Salon Réalités Nouvelles, Paris (France)
Galerie Lde0&Co, solo show, Paris (France)

2016 
Galerie Sometimestudio, Mains à l’œuvre, Paris (France)
Galerie Emmanuelle Wittmann, solo show, Cosmogonies, Paris (France)


PUBLICATIONS

2018
50/52, art contemporain, sélection de 50 artistes de la nouvelle scène contemporaine française et internationale, éditions 11-13. Curateur Ariel Carol Novak.

My approach is minimalist, my writing elementary: the line, the point, a color.

The drawings are serial. I am inspired by science and nature, the world at all scales, and in all its dimensions, in full consciousness of being part of a whole.

I create a protocol for each drawing, based on the repetition of a gesture using graphite powder, pencil, wire, and adhesive tape. Simplicity, the fragility of the paper, and the means used. I use graphite powder that I attach to adhesive tape, or directly with the paper used as a tool. The vanishing of the powder freezes in controlled hazards.

I try to translate the breath, the wind, the vital energy by developing a graphic language specific to each medium used. Capturing the moment, like a snapshot of a pictorial laboratory.

I choose silk, Kozo, hanji papers for their finesse and transparency.

Paper is alive, wrinkles, folds, folds, keep in memory.

The paper deforms, creates light and volume.

The yarn holes and repairs, underlines and weaves, weakens and solidifies. Work on the human, the organic, memory, fluidity.

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